10 Art Theater Traditional Indonesia

10 Art Theater Traditional Indonesia
1. PuppetPuppet known since prehistoric times ie about 1500 years before Christ. Indonesian society embracing animist beliefs such as ancestor worship of spirits called or dahyang hyang, manifested in the form of statues or images.Wayang is an Indonesian traditional arts are mainly developed in Java and Bali. Puppet show has been recognized by UNESCO on November 7, 2003, as the work of an amazing culture in the field of narrative story and legacy of beautiful and valuable (Masterpiece of Oral and Intangible Heritage of Humanity).G.A.J. Hazeu said that the puppets in the language / Javanese word means: shadows, in the Malay language means: shadows, which means shadow, vague, dreamy. Bikol languages ​​according to the Professor Kern, shadows, goods or dreamy. All of it comes from the root word "that" that changed the sound yung, yong, as in the words: laying (nglayang) = a, dhoyong = yong, reyong = yong, reyong-reyong, or reyang-reyong meaning always on the move while carrying something, Poyang-payingen, intricate origin of the word: Poyang, the root word. According to the comparison of the meaning of the word comes from the root, and so on before, it is clear that the meaning of the root word: a, yung, yong is moving many times, not fixed, floating.
2. MakyongMakyong is the art of traditional Malay community theater, which is still popular and frequently performed as dramatari in international forums. Makyong influenced by Hindu-Buddhist Thai culture and Hindu-Javanese. Makyong name comes from mak hyang, another name for the goddess Sri, the goddess of rice.Makyong is a traditional theater that comes from the island of Bintan, Riau. Makyong derived from art around the palace of the 19th century until the 1930's. Makyong do during the day or night. ± three-hour long performance
3. Drama GongDrama Gong is a form of Balinese performing arts that is still relatively young is created by combining the elements of modern drama (non traditional Balinese) with elements of traditional Balinese arts. In many ways the Drama Gong is a blending of elements of modern theater (West) with traditional theater (Bali). Because of the dominance and influence of classical or traditional Balinese art is still so strong, the Drama Gong originally called "classic drama". Drama Gong name given to this art because of the players and the play every motion accompanied by dramatic mood shift Gamelan Gong (Gong Kebyar). Drama Gong was created around 1966 by Anak Agung Gede Raka Payadnya Abianbase village (Gianyar).Drama Gong began to flourish in Bali around the year 1967 and its peak is tahun1970. However, since the mid 1980's art began to decline in popularity, today there are about 6 pieces sekaa Drama Gong is still active.
4. RandaiRandai is art (theater) typical of the Minangkabau, West Sumatra, which is played by several people (in groups or teams). Randai can be interpreted as "having fun while in a circle" because the players stood in a large circle diameters are five to eight feet in length. Stories in randai, always lift Minangkabau folktales, such as Mato Cindua story, Malin Deman, Anggun Nan Tongga, and other folklore. The legend says that randai first played by the Pariangan, Padang Panjang, when they managed menangkaprusa coming out of the sea.Art randai been staged at several places in Indonesia and even the world. Randai Even the English version had been staged by a group of students at the University of Hawaii, USA.Art randai rich with ethical and aesthetic value of traditional Minangkabau, is a result of the merger of several kinds of arts, such as drama (theater), art, music, dance and martial arts.
5. MamandaMamanda is the traditional art of theater or performance which originated from South Kalimantan. Compared with the art of staging another, more akin Mamanda Lenong terms of the relationship between the player with the audience. This interaction makes the audience becomes active convey humorous comments which allegedly can create the atmosphere became more lively.The difference is, now more to follow Art lenong Mamanda than a monotonous day at the royal storyline. Because the art Mamanda playable characters are raw figures like King, Prime Minister, Mangkubumi, Wazir, War Commander, First Hope, Hope second wage earner (Clown / aide), Empress and Sandut (Princess).Mamanda allegedly used the term because in lakonnya, players like Wazir, Minister, and was called pamanda Mangkubumi or mamanda by the King. Mamanda etymologically composed of the word "mama" (mamarina) which means uncle in Banjar language and "ou" meaning honorable. So mamanda means Dear uncle. Ie "hello" to a respected uncle or family in the kinship system.The origin is Mamanda Badamuluk art troupe brought Abdoel Moeloek of Malacca in 1897. Formerly in South Kalimantan Comedy Indra named Duke. Engagement with the local arts in Banjar royal Indra Comedy spawned a new art form called Ba Abdoel Moeloek or more fame with Badamuluk. This art until now better known as mamanda.Starting from the arrival of royalty Malacca (1897 AD), led by Encik Ibrahim and his wife, Cik Eve in the Land of Banjar, art was popularized and was warmly welcomed by the people of Banjar. Once adapted, the theater gave birth to a new theater named "Mamanda".Mamanda traditional performing arts are very popular among the people of Kalimantan in general
6. LongserLongser is one form of traditional theater community Sunda, West Java. Longser acronym derived from the word Melong (seen with admiration) and saredet (temperamental) which means that anyone who saw the show longser, then his heart will be stirred. Longser an emphasis on dance called ogel or doger. Before longser born and developed, there is a traditional theater form called Lengger.Clothing used for this art is simple but striking color, especially in terms of clothing worn by the dancer. Usually a dancer wearing kebaya and batik cloth side. Meanwhile, for a man to wear the pants sontog shucks and headband.
7. KetoprakKetoprak is the most popular folk theater, especially in the areas of Yogyakarta and Central Java. However, in East Java can be found ketoprak. In these areas ketoprak is a blend of folk art in their lives and beat the other folk arts such as srandul and emprak.The word 'kethoprak' comes from the name of the tool that is Tiprak. The word originated from the practice of this Tiprak. Because sound is tiprak crunch, crunch, crunch. King Library Purwa fiber volume II writing poet R. Ng. Rangga Warsita Kolfbunning in 1923 in his book states "... tetabuhan ingkang kethoprak name tegesipun kothekan"This means kethoprak crunch sound comes from, although originally stems from a tool called tiprak.Kethoprak also from kothekan or gejogan. Musical instrument in the form of mortar by the creator kethoprak plus drums and flutes.Ketoprak is one form of folk theater are very concerned about the language used. Language is getting attention, despite the use of Java language, but should be considered a problem unggahungguh language. In the Javanese language levels are used, namely:- Java Language regular (daily)- Java Language kromo (for higher)- Java Language kromo inggil (ie for the highest level)Using language in ketoprak, which considered not only the use of the levels of language, but also the subtleties of language. Hence the so-called ketoprak language, Java language with the language of the subtle and specific.It can be concluded that Kethoprak is performing arts theater or a simple drama that includes elements of Javanese tradition, both the structure of the play, dialogue, fashion makeup, as well as the sounds of traditional music was performed by the people.
8. LudrukLudruk is one Timuran Javanese art is very well known, the art of the stage which is generally all players are men. Ludruk is a traditional drama that was exhibited by an arts group in gelarkan disebuah stage to take the story of the lives of everyday people (grassroots story), a story of struggle and others are interspersed with jokes and accompanied by gamelan as a musical.Dialogue / monologue in ludruk are entertaining and make the audience laugh, Surabaya natural language, although sometimes there are guest stars from other areas such as Jombang, Malang, Madura, Madiun with a different accent. Straightforward language used on ludruk, making him easily absorbed by the non-intellect (pedicab drivers, watchmen, public transport drivers, etc.).
9. Lenong"Lenong" is a traditional performing arts theater Betawi people, Jakarta. Lenong derived from the name of a Chinese merchant named Lien Ong. That said, the first Lien Ong who used to call and hold a theater that is now called Lenong to entertain the public and especially himself and his family. In olden times (colonial era), lenong usually played by the public as a form of appreciation opposition to the tyranny of the invaders.Theatrical arts may be an adaptation by the Betawi arts community alike as "vaudeville" and "theater opera" existing at the time. In addition, Word Muntaco, Betawi artist, says that lenong evolved from the xylophone music teaterisasi kromong and as a spectacle has been known since the 1920's.At first this art performed by singing from village to village. Performances are held in the open air without a stage. As the show progresses, one actor or actress around the audience while asking for voluntary donationsThere are two types lenong lenong lenong Denes and thugs. In lenong Denes (from Denes said the Betawi dialect meaning "office" or "official"), actors and actresses wore formal clothes and air-setting tale kingdom or the nobility, while in civilian clothing worn lenong not determined by the director and generally revolves around everyday life. In addition, both types of lenong is also distinguished from the language used; lenong Denes generally use refined language (Malay high), while lenong thugs using colloquial language.
10. Ubrug"Ubrug" in the park is known as a traditional folk art that is increasingly forgotten by fans. The term 'Ubrug' comes from Sundanese 'sagebrugan' meaning jumbled in one location.Ubrug including folk theater art that combines elements of theater, music, dance, and martial arts. All the elements were staged as a comedy. The language used in the play, sometimes merging of Sundanese, Javanese, and Malays (Betawi). Musical instrument is usually played in pemenetasan drum, kulanter, kempul, gong angkeb, fiddle, kenong, manacle, and tap.In addition to growing in the province of Banten, art Ubrug was expanded to Lampung and South Sumatra which would be staged using local languages ​​respectively.Ubrug theater was originally staged in a wide courtyard with palm leaf tents or rubia.Blancong used for lighting lamps, kerosene lamps are two wheelbase and large enough placed in the middle of the arena. Blancong lamp is the same as the tap Tilu Oncor, with lights or lamps gembrong petromak. Around the year 1955, Ubrug began using the stage or room, either a closed or open where the audience can see it from all directions.